Five days ago a group of 11 law professors all from different universities filed an amicus curiae brief in support of Yves Saint Laurent in their defence against Christian Louboutin's trade mark infringement claim (see previous stories here and here) in respect of their red soles. In a somewhat interwoven argument, the brief criticized Louboutin and INTA's analysis of the doctrine of aesthetic functionality and argued that in order to preserve innovation and competition the protection of single colors in fashion markets should be rejected. The doctrine of aesthetic functionality asks whether an aesthetic feature of a product is functional because it is "essential to effective competition".
In the Second Circuit the test for aesthetic functionality was laid down in Wallace International Silversmith v Godinger Silver Art (1990). The case stated that:
"[W]here an ornamental feature is claimed as a trademark and trademark protection would significantly hinder competition by limiting the range of alternative designs, the aesthetic functionality doctrine denies such protection."
Pretty purple suede Louboutin pumps |
The professors' filing argued that Louboutin and INTA (see brief here) would "apparently prefer that only utilitarian functionality exist", however the Second Circuit and Supreme Court has long-established case law recognizing the importance of the aesthetic functionality to trade mark law in circumstances where consumers' preferences for attractive product design drives their purchases. The aesthetic functionality doctrine's purpose is thus to prevent trade mark protection for "patent-like protection for attractive but non-novel product features" in order to maintain competition. The brief cited a recent article by Mark McKenna entitled "(Dys)Functionality" in the Houston Law Review which stated
"Farm equipment does not work better because it is green—it does not till better, work longer, or cut more reliably—just as strawberry-flavored flashfrozen ice cream does not taste better because it is pink. If, however, consumers expect their farm equipment to be green or their strawberry flavored ice cream to be pink, then those colors serve non-source-related functions, and they do so even if consumers also associate the colors with John Deere and Dippin’ Dots, respectively..."
Would Tiffany object to the limited edition blue-soled Louboutin shoes designed for their wedding collection as "something blue" for brides? |
In citing the Second Circuit case of Wallace - a case about the registration of baroque designs for silverware where the court found the designs were aesthetically functional because protection afforded to the trade mark would limit the range of adequate alternative baroque designs -- the brief argued that when the aim is to create color compatibility or a red monochromatic effect in fashion design there is no alternative but to use red.
"The question is not whether other designers can compete with Louboutin by offering attractive blue shoes to consumers who want red shoes. The question is whether Louboutin’s competitors can make red shoes for consumers who want red shoes because of their aesthetic appeal."The brief went on to state that
"[a] woman who buys red shoes is doing so for a reason – red shoes have a particular meaning to her, and to others, that cannot be supplied or even approximated by shoes of a different color. Given the substantial creativity involved in both fashion design and fashion consumption, courts should not lightly allow one particular competitor to monopolize particular fashion sub-markets. To tell a designer that other single colors are “adequate – at least until someone else appropriates them, as amicus Tiffany would like to do with respect to robin’s egg blue (and, no doubt, as other fashion firms will rush to do with respect to any number of other colors if appellant’s arguments are upheld – is to interfere significantly with both creative freedom and with consumers’ ability to make fashion choices that are both highly individual and deeply personal."
Which is the infringing red? |
Calvin Klein S/S 2011 |
The arguments contained in the brief seem to the AmeriKat to encapsulate a more general policy argument that militates against the protection of single-color as applied to fashion items, than any hard-line legal analysis (or it may be the jet-lag getting to her). Indeed the points raised in the brief echo her closing questions following the AmeriKat's report on the Tiffany amicus brief:
"Does YSL need to use red soles in order to compete effectively in high-end womens' footwear? On one view, of course it does not. It can use other shades on its shoe - the shoe design itself will still be open to YSL to design how it sees fit, the only prohibition is using red on the sole (what red, of course, is still a live point in this case and wisely not one Tiffany touched on). However, from an industry standpoint, why should YSL be prevented from marketing a monochrome red shoe as part of its monochrome footwear collection?" The AmeriKat thinks that one of the key issue here is that of "certainty".There will always be grey areas surrounding the ambit of protection for a trade mark, but is the grey area even larger (and unnecessarily so) in respect of registrations for single colors for fashion items, so much so that the grey area encroaches upon the area of free competition? With two weeks to go until the oral hearing in the appeal of the case, what do readers think?
Surely the key question is whether red soles actually function as a trade mark? That is to say, do consumers rely upon that sign as designating trade origin? If they do, then it should be protectable; if not, not. But it is not enough for this purpose that consumers associate red soles with one trade source in the sense of recognising that (to date) only one source has marketed such shoes. No further or more complicated analysis is needed.
ReplyDeletesurely the grey area round Chinese red soles is pretty limited and the Klein rags are not Tiffany coloured to my eye. But most of all what to do the Law Professors think that women say when they wear red shoes?
ReplyDelete'All of INTA’s members share the goal of promoting an understanding of the essential role trademarks play in fostering informed decisions by consumers, effective commerce, and fair competition.'(INTA´s brief in the case). In this case I think that INTA forgot the aspect of fair compitition in its brief!
ReplyDelete--- oh, the excesses of modern trade mark law:
ReplyDelete“I can’t believe it’s not Louboutin”.
I personally cannot understand how the building blocks of our perception can be registered for the sole use of one entity, for eternity, provided you pay renewals. A time-limited right to protect imaginative design, yes, but eternity - I shudder.
George Brock-Nannestad
Re Filemot's comment, you cannot rely on how something appears on your computer screen unless your monitor has been accurately calibrated against a standard. CRT displays have a different colour gamut from LCD displays, which again differ from the gamut of PDP displays, and there are ranges of colours that are impossible to display accurately on any computer monitor. Your computer has to synthesise its colours by mixing appropriate proportions of RGB produced by its phosphors or the like, whereas the Pantone system, which was designed with printing in mind, includes a range of standardised pure pigments which make a much wider gamut available.
ReplyDeleteThus you would really need to actually view the item itself using a standardised illumination source in order to make a valid assessment of the similarity or otherwise of two colours.
A problem with defining colours by reference to a standard, is that you need to make measurements using light sources and sensor elements of known properties. The Pantone web site indicates that colour patches should be replaced every year to avoid errors due to fading.
While a machine measurement will accurately define the properties of a given colour sample under the standardised measurement conditions, colours that appear to the eye to match under fluorescent light, can look very different under daylight, and vice versa, due to the different spectra of the respective light sources.