Tackling - and possibly getting rid of
- "unjustified" geoblocking, ie the practice(s) of restricting or
denying access to certain services or content outside a specified territory, is
one the pillars of the Digital Single Market Strategy (DSMS) [here and here] that
the EU Commission released last year.
The EU Commission announced that it would consider action not only in relation to geoblocking in the ecommerce sector but also in the area of copyright. In relation to the latter the DSMS stated that:
"when trying to access or
purchase online copyright-protected content from another Member State,
consumers are sometimes told that it is unavailable or cannot be accessed from
their own country. This situation is partly linked to the territoriality of
copyright and difficulties associated with the clearing of rights. In other
cases, the lack of availability and/or access may result from contractual
restrictions between rights holders and distributors, or from business
decisions taken by distributors. This may sometimes be due to the role territorial
exclusivity plays in the financing of certain types of (audiovisual)
works."
However, the DSMS did
not reveal much as to whether and how geoblocking in the area
of copyright would be addressed from a legislative standpoint. If one reads the DSMS retrospectively, ie with what Italians would call
'senno di poi', it appears that what the
Commission was concretely discussing in that document was just
what would then become the proposal for a regulation on cross-border content
portability [here].
Back in the day this
Kat wondered whether a possible solution in the
hands of the Commission would be to review the Satellite and Cable Directive and extend the
country of origin rule contained therein to online broadcast transmissions. However, this is not
the only possibility. Indeed, it would appear that geoblocking in the area of
copyright could be tackled not (just) through legislative intervention on the copyright acquis but
rather the tools of ... competition law.
As this blog reported last summer, the EU Commission is
currently looking into certain agreements in the pay-TV sector with an
allegedly anti-competitive smell.
In its statement of objections to Sky UK and the
‘Big Six’ Hollywood majors (including Paramount Pictures), the EU Commission
came to the preliminary conclusion that the territorial restrictions introduced
in the agreements between this pay-TV operator and the studios are restrictive
of competition, and this insofar as they give absolute territorial protection
to broadcasters (both to Sky and to licensees based elsewhere in the EU). As a result of these agreements - the Commission
argued - Sky is prevented from providing its services (online and via satellite)
to end-users based in Member States other than the UK.
Yesterday Paramount offered the
EU Commission a number of commitments to address competition
concerns relating to contractual clauses preventing the cross-border provision
of pay-TV services.
These consist of the following:
1. When licensing its film output for pay-TV to a
broadcaster in the EEA, Paramount Pictures would not (re)introduce contractual
obligations, which prevent or limit a pay-TV broadcaster from responding to
unsolicited requests from consumers within the EEA but outside of the pay-TV
broadcaster’s licensed territory (No “Broadcaster Obligation”);
2. When licensing its film output for pay-TV to a
broadcaster in the EEA, Paramount Pictures would not (re)introduce contractual
obligations, which require Paramount to prohibit or limit pay-TV broadcasters
located outside the licensed territory from responding to unsolicited requests
from consumers within the licensed territory (No “Paramount Obligation”);
3. Paramount Pictures would not seek to bring an
action before a court or tribunal for the violation of a Broadcaster Obligation
in an existing agreement licensing its film output for pay-TV;
4. Paramount Pictures would not act upon or enforce a
Paramount Obligation in an existing agreement licensing its film output for
pay-TV.
Restrictions in place |
The question is what effects these
commitments might have should the EU Commission accept them.
According to the analysis of Chillin'Competition, commitments do not imply the admission of an
infringement. This means that the other undertakings involved in the pay-TV
investigation would not be necessarily in a worse position:
"Much to the contrary, it could even be argued
that once the Commission has accepted commitments with regard to one
undertaking, it could now not impose fines on others for
exactly the same practices. This is because, as you know, commitments are
only appropriate in cases where the Commission does not intend to impose
fines."
If Paramount's commitments were
accepted, this would not mean that other studios would lose their ability to
geoblock their content as a matter of principle. So the answer to the
question whether geoblocking's end is in sight through competition law is: possibly
not.
All in all, the Commission so far has
not showed any real intention to address geoblocking in the area of copyright
from a legislative standpoint. So it seems that rightholders will likely retain
their ability to license contents on a territorial basis [Member States' copyright laws are still drawn along national borders at the end of the day ... In this Kat's opinion the only possible solution to prevent geoblocking in copyright would be to create an EU-wide copyright title], as long as relevant
behaviours are not caught in the net of Articles 101 or 102 of the Treaty on the Functioning of the
European Union.
Geoblocking: is the end in sight through ... competition law? Possibly not
Reviewed by Eleonora Rosati
on
Saturday, April 23, 2016
Rating:
No comments:
All comments must be moderated by a member of the IPKat team before they appear on the blog. Comments will not be allowed if the contravene the IPKat policy that readers' comments should not be obscene or defamatory; they should not consist of ad hominem attacks on members of the blog team or other comment-posters and they should make a constructive contribution to the discussion of the post on which they purport to comment.
It is also the IPKat policy that comments should not be made completely anonymously, and users should use a consistent name or pseudonym (which should not itself be defamatory or obscene, or that of another real person), either in the "identity" field, or at the beginning of the comment. Current practice is to, however, allow a limited number of comments that contravene this policy, provided that the comment has a high degree of relevance and the comment chain does not become too difficult to follow.
Learn more here: http://ipkitten.blogspot.com/p/want-to-complain.html