1 EEK! it's another ECC
The most recent issue of Sweet & Maxwell's bimonthly law report series, the European Commercial Cases, contains another delightful sprinkling of intellectual property cases. Apart from the marathon decision of Pumfrey J in Navitaire v easyJet and BulletProof on software copyright and database right infringement there are also two French copyright cases, lovingly translated into English:
* France 2 SA v Fabris, in which the Cour de Cassation upheld the decision of the Cour d'appel de Paris that there was no "fair use" defence that justified the broadcasting of stills of Maurice Utrillo's paintings when broadcasting news of an exhibition at which they were displayed;
* Hotel de Girancourt v SCIR Normandie, another Cour de Cassation decision in which that court affirmed that the owner of an item (in this case the frontage of a historic building) had no exclusive right to control the taking of photographs of it.
2 Petit point
The IPKat's friend and fellow blogger (here and here) C. E. Petit must have had the needle to the Kat's Sunday blog ("A duty of Carey") because he has taken it to task:
The IPKat should like to dissociate himself from any suggestion regarding having to listen to Celine Dion recordings for thirty days straight which, he believes, is contrary to the provisions of the US constitution."I'm afraid you just weren't adventurous enough on the "exam question". [He then adds the following questions ...]
(ix) If Eminem behaves identically at a show in Manchester, may Carey sue in a UK court? Under UK law?
(x) For purposes of this question only, assume that Carey was a British citizen and that the calls were placed from London to Eminem in the US.
Which court(s) have jurisdiction? If UK courts have jurisdiction, which law may or must they use? If US courts have jurisdiction, which law may or must they use?
(xi) In the absence of copyright issues, might Eminem's behaviour violate:(a) Carey's rights of publicity?
(b) Carey's rights of privacy?
(c) Carey's trade mark rights?
(d) Carey's moral rights in an audio performance?Answer each subpart under UK law, US (California) law, and US (Michigan) law.
(xii) Describe the proper remedies that Ms Carey may claim under US law.
Although inventive alternatives, such as forcing Eminem to listen non-stop to Celine Dion recordings for thirty days straight, might be more "just", restrict yourself to remedies available under intellectual property law.
3 State secrets?
Part 9 of the UK's Enterprise Act 2002 governs the release of information by public authorities. Today the Department of Trade and Industry published a consultation document relating to proposed amendments. At present, public authorities cannot release information (for example product test results and company addresses) for the purpose of private civil proceedings.
Consumer groups and intellectual property rights holders have both voiced concerns that public authorities are unable to release this information to consumers who have been injured by an unsafe products, or to businesses whose IP rights have been infringed and who wish to take action against rogue traders in the Civil Courts.
The Government's options include the following:
* keep the law unchanged and do nothing;
* amend Part 9 to allow the release of information for the purpose of private civil proceedings only in certain deserving cases or
* amend Part 9 to allow the release of information for the purposes of private civil proceedings in all cases.
The closing date for making your comments is Friday 18 November 2005.
Full text of consultation document here
More on the Enterprise Act here
Starship Enterprise here
How the government can make its mind up here, here and here
The Eminem/Mariah Carey problem shows one thing perfectly. A "one-size-fits-all" approach to copyright protection does not seem to fit any particular factual situation terribly well. Could the solution be to supplement basic copyright law with some universal principles of unfair competition law and privacy/publicity law?
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