In two separate judgments but conjoined appeals, the Court of Appeal reversed previous decisions to cancel Cadbury's UK registration for the colour purple [critically reviewed by the AmeriKat here] and upheld the cancellation of Mattel's UK registration for a Scrabble tile [warmly welcomed by guest Kat Kate here]. The connection lies in the interpretation of Article 2 of TradeMarks Directive 2008/95.
Until now, Cadbury had successfully persuaded the United Kingdom Intellectual Property Office (UKIPO) and the High Court that its application satisfied the Court of Justice of the European Union's well-established criteria in Case C-273/00 Sieckmann of what amounts to a sign capable of graphical representation so as to be registrable. These are that the representation of the sign must have the required clarity, precision, self-containment, durability and objectivity for both the registrar and competitors to know what is covered. Cadbury's application showed a particular purple colour on the form (which looks more like blue: see illustration, left, and the online register here), identified it using the Pantone colour code 2685C and, critically in this case, included a description that the colour is
"applied to the whole visible surface, or being the predominant colour applied to the whole visible surface, of the packaging of the goods" [Roland's emphasis].
Nestlé argued that the underlined words were unclear and conjured up potentially multiple signs, not just one. The High Court had concluded, however, that they introduced no more vagueness and uncertainty than was already present in similar such registrations (of which there are a number, not least because it is a form specifically included within the UKIPO's own guidelines). The analogy (argued in the Scrabble tile case) was that even plain word marks necessarily share such vagueness. This is because they extend to cover the word in a multitude of fonts and colours. The Court of Appeal rejected this, holding that such wording could cover multiple signs with different permutations, presentations and appearances. This arose from implied references to other colours and other visual material, none of which are shown nor described with any certainty or precision on the application form, and yet where the colour purple predominates. This lack of certainty meant it was not one sign but many, and so it fell foul of Article 2.
To some extent, this decision amounts to a cancellation on a technicality, but one that looks set to lose Cadbury its 2004 priority date. It leaves open the option for Cadbury to re-file with a different description. To do so and to rely on the same evidence of acquired distinctiveness as used in this application means that its sign, as subsequently represented and described, needs to align with the sign as used in that evidence. A challenge to the latter was not part of Nestlé's appeal on this occasion. The Court of Appeal even mooted alternative wording: "as applied to all or to more than 50% of the whole visible surface." In that case, it hinted that the outcome might have been different. However, even then, it arguably conjures up myriad colour combinations and arrangements. The better formula would seem to be (where appropriate) to confine any application for a single colour to use on the whole of the article or packaging, with no variant. The presence of some other colours on the packaging when actually used on the market, e.g. in printed words and other branding, could be argued not to expose the single colour mark registration to future revocation for non-use. This means invoking Article 10(1)(a) of the Trade Mark Directive, which applies so long as the words and other colours do not "alter the distinctive character" of the predominant colour that is the subject of protection.
Mattel's Scrabble tile registration suffered a similar fate but without the benefit of any judicial alternative suggestions. It was registered with images of a blank ivory-coloured Scrabble tile (shown on the right) combined with the description "on the top surface of which is shown a letter of the Roman alphabet and a numeral in the range 1 to 10". No examples were given of how this might look. The applicant for cancellation, Zynga, suggested four permutations (below) that highlighted the multitude of options this could cover, including some that would evidently overlap with third party rights or would be non-distinctive.
The Court of Appeal agreed that this was not one single sign, nor one that was identified clearly, precisely and objectively enough. Mattel tried to run an additional argument that the question of whether the description satisfied Article 2 should be answered as part of an overall assessment, in particular taking into account (among other things) evidence that the mark as depicted is in fact distinctive as a result of extensive use. It argued that this meant summary judgment should not have been awarded against them (as it had). The Court rejected this. The Article 2 test is objective and it is for the registry or court to assess, on its face, whether the application is for "a sign" that has been represented graphically in accordance with the Sieckmann criteria.
The consequences of these decisions, if they stand, are that applicants should take even greater care in the wording of the text box "Mark Description/ Limitation" on a UK application form (and its equivalent for CTMs). As we already know from Case C-307/10 Chartered Institute of Patent Attorneys (the IP Translator case), they should also beware blindly following registry guidelines. Cadbury had tried to downplay the wording, referring to it merely as "textual description." It argued that there is no obligation arising from the case law for the uses made, or proposed to be made, of the colour to be incorporated into the graphical representation in the application form. While that may be so, once you include wording within the description, it is clear that it will be treated as defining the scope of the mark as graphically represented.
Certainly for colour marks, the consequences are not confined to new applications. However, it is clear that any existing colour mark registration that uses the "predominant" wording would still need to be considered separately on its merits.
Deep Purple here
A Night on the Tiles here
In my view it may well be safer to avoid that description box altogether. If your sign does not stand alone, then its not a sign. see my further thoughts on the SOLO blog here
ReplyDeleteI have to disagree. A request to register a colour per se (ie. without any reference of context) inarguably leads to the conclusion that the mark sought is in fact an infinite number of signs. If you are seeking to protect a "property" - an abstract item - then the mark is not registrable since it is not A sign
ReplyDelete(emphasis is on the "A").
They got it wrong in Libertel (correct outcome, wrong reasoning).. it followed through to Dyson.. and I believe they were constrained. The outcome is correct on graphical representation, but incorrect on the meaning of "sign"
-- should it not be considered an ornament (called 'designs' in the UK Trade Marks Act)? Admittedly, a quite boring one, but still very distinctive.
ReplyDeleteKind regards,
George Brock-Nannestad
Aaron : a request to register a word mark in standard characters is also an infinite number of signs, or at least a number as large as the fonts available to you. This is not considered to be indefinite. You can see the word in the sign as clearly as you can see the colour on the packet.
ReplyDeletePossibly we should be thinking in terms of putting the "description" in the limitations box. We are in fact limiting the sign - the pure colour - to specific circumstances of use.
We still have a problem of wording. Personally I think its a background colour not predominant. Look at the image on the ground (sorry thats on my blog) there is a lot of other very dominant branding on that.
When one realises the magnitude of the monopoly you realise the threshold of distinctiveness is almost impossible to attain(and rightly so). Kraft still have the "win" from this case of having established that fact.
Have a good discussion in Brum
Does this ruling now mean it is ok to use the tiles in word art providing the tiles are not mounted on a Scrabble board? This is causing much confusion in the crafting world. Thanks, Kat (a different Kat)
ReplyDelete